Stars: Jean Reno, Ian McKellen, Tom Hanks, Alfred Molina, Paul Bettany, Audrey Tautou

Director: Ron Howard

Summary: Symbologist Robert Langdon and cryptologist Sophie Neveu set out to uncover the truth about The Holy Grail, encountering a mysterious ancient society on the way.

Dr. Robert Langdon (Tom Hanks, FORREST GUMP) and cryptologist Sophie Neveu (Audrey Tautou, AMELIE) set out to uncover the truth about The Holy Grail, encountering a mysterious ancient society on the way. Harvard symbologist Robert Langdon is on business in Paris when he is called to the Louvre, where a curator he was due to meet has been murdered. There he meets police cryptologist Sophie Neveu, the granddaughter of the murdered curator. A number of symbols and riddles have been found at the murder scene and the duo set about solving the complex mystery. However, Bezu Fache (Jean Reno, LEON)--the police officer in charge of the investigation--believes that Langdon is implicated in the killing. This leads to Langdon being chased by the French police as he attempts to solve the mystery by following secret clues found in the works of artist Leonardo Da Vinci. Langdon and Neveu escape to England to continue their search for clues in the mystery that has the possibility to upset the very foundations of Christianity, a search that brings them into conflict with Catholic organisation Opus Dei and their dangerous monk Silas (Paul Bettany, GANGSTER NO. 1). Screenwriter Akiva Goldsman (I, ROBOT) manages to transform Dan Brown's tremendously successful novel into a thrilling and fast paced script that is expertly directed by Ron Howard (APOLLO 13). The film was the target of criticism by the Roman Catholic Church but this didn't stop THE DA VINCI CODE becoming a worldwide smash hit.

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Critics and controversy aside, The Da Vinci Code is a verifiable blockbuster. Combine the film's huge worldwide box-office take with over 100 million copies of Dan Brown's book sold, and The Da Vinci Code has clearly made the leap from pop-culture hit to a certifiable franchise (games and action figures are sure to follow). The leap for any story making the move from book to big screen, however, is always more perilous. In the case of The Da Vinci Code, the story is concocted of such a preposterous formula of elements that you wouldn't envy Akiva Goldsman, the screenwriter who was handed a potentially unfilmable book and asked to make a filmable script out of it. Goldsman's solution was to have the screenplay follow the book as closely as possible, with a few needed changes, including a better ending. The result is a film that actually makes slightly better entertainment than the book.

So if you're like most of the world, by now you've read the book and know that it starts out as a murder mystery. While lecturing in Paris, noted Harvard Professor of Symbology Robert Langdon (Tom Hanks) is summoned to the Louvre by French police help decipher a bizarre series of clues left at the scene of the murder of the chief curator, Jacques Sauniere. Enter Sophie Neveu (Audrey Tautou), gifted cryptologist and Sauniere's granddaughter. Neveu and Langdon are forced to team up to solve the mystery, and from there the story is propelled across Europe as it balloons into a modern-day mini-quest for the Holy Grail, complete with alternative theories about the life of Christ, ancient secret societies headed by historical figures like Leonardo Da Vinci, secret codes, conniving bishops, daring escapes, car chases, and, of course, a murderous albino monk controlled by a secret master who calls himself "The Teacher."

Taken solely as a mystery thriller, the movie almost works--despite some gaping holes--mostly just because it keeps moving forward at the breakneck pace set in the book. Brown's greatest trick might have been to have the entire story take place in a day so that the action is forced to keep going, despite some necessary pauses for exposition. Hanks and Tautou are just fine together but not exactly a memorable screen pair; meanwhile, Sir Ian McKellen's scenery-chewing as pivotal character Sir Leigh Teabing is just what the film needs to keep it from taking itself too seriously. In the end, this hit movie is just like a good roller-coaster ride: try not to think too much about it--just sit back and enjoy the trip. --Daniel Vancini, Amazon.com

Aspect Ratio:	2.40 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Interactive menu
Year:	2006
Release Date:	January 29, 2007
Runtime:	143 minutes
Certification:
Catalogue Number:	C D R 40862 S
Keywords:	English, General, Code, Thriller, Da, Vinci
Genre:	Thriller